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GHIRLANDAIO, Domenico Madonna and Child Enthroned with Saints oil painting reproduction


Madonna and Child Enthroned with Saints
c. 1479 Tempera on wood, 170 x 160 cm
new4/GHIRLANDAIO, Domenico-522424.jpgPainting ID::  32341
 

 
 
   
      

All GHIRLANDAIO, Domenico Oil Paintings
 
 
GHIRLANDAIO, Domenico Madonna and Child Enthroned with Saints oil painting reproduction


Madonna and Child Enthroned with Saints
c. 1483 Tempera on wood, 191 x 200 cm
new16/GHIRLANDAIO, Domenico-799852.jpgPainting ID::  43856
 

 
 
   
      

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unknow artist Madonna and Child Enthroned with Saints oil painting reproduction


Madonna and Child Enthroned with Saints
1400-50 Tempera and gold on panel, 218 x 258 cm
new16/unknow artist-287345.jpgPainting ID::  44447
 

 
 
   
      

All GHIRLANDAIO, Domenico Oil Paintings
 
 
GHIRLANDAIO, Domenico Madonna and Child Enthroned with Saints oil painting reproduction


Madonna and Child Enthroned with Saints
1483 Tempera on wood Galleria degli Uffizi, Florence This detail of a flower vase on a colourful carpet could be taken from a Flemish panel painting if it were painted using the oil technique developed there rather than tempera, which Ghirlandaio used. In this detail, the artist creates a positive frenzy of colours and forms to enliven the picture. Artist: GHIRLANDAIO, Domenico Painting Title: Madonna and Child Enthroned with Saints (detail) , 1451-1500 Painting Style: Italian , , still-life
new21/GHIRLANDAIO, Domenico-454895.jpgPainting ID::  62995
 

 
 
   
      

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RAFFAELLO Sanzio Madonna and Child Enthroned with Saints oil painting reproduction


Madonna and Child Enthroned with Saints
Madonna and Child Enthroned with Saints 1504-05 Tempera and gold on wood, 172,4 x 172,4 cm (main panel) Metropolitan Museum of Art, New York This is the main panel and lunette from a relatively early work by Raphael, also known as the Colonna Altarpiece, painted for the convent of Sant'Antonio da Padova at Perugia. He began the work when he was barely 20 years old, just before he left for Florence in 1504, and he completed it the following year after he returned to Perugia. The influence of his teacher Perugino can be seen in the conservative composition. Nevertheless, Raphael has infused into the stiffly posed group a breadth and dignity that reflects his knowledge of the work of Fra Bartolommeo in Florence. Particularly beautiful is the way the figures fill the curved shape of the lunette. Flanking the Madonna and Child with the infant Saint John the Baptist are Saints Peter, Catherine, Cecilia(?), and Paul.Artist:RAFFAELLO Sanzio Title: Madonna and Child Enthroned with Saints Painted in 1501-1550 , Italian - - painting : religious
new21/RAFFAELLO Sanzio-263256.jpgPainting ID::  63816
 

 
 
   
      

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Bartolomeo Montagna Madonna and Child Enthroned with Saints oil painting reproduction


Madonna and Child Enthroned with Saints
Oil on canvas, 410 x 260 cm Pinacoteca di Brera, Milan Date 1498(1498) cjr
new25/Bartolomeo Montagna-374695.jpgPainting ID::  91758
 

 
 
   
      
Bartolomeo Montagna
  
Orzinuovi ca 1450-Vicenza 1523 .Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works,
Madonna and Child Enthroned with Saints
Oil on canvas, 410 x 260 cm Pinacoteca di Brera, Milan Date 1498(1498) cjr

Related Paintings to Bartolomeo Montagna :.
| aelbert cuyp057 | Bernardino Luini -- Madonna and Child | Adriaen van Ostade -- The Village Barber | Matthijs Maris - Men unloading Carts, Montmartre | PIERRE-AUGUSTE RENOIR-PAYSAGE16 | | Prospector at the Minehead | Zeus and Antiope (mk08) | The month of August out of the hours book of the duke of Berry | Landscape with a Dancing Faun | Courtesy of the Peabody Essex Museum |

        

 

 

 
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